Before Kodak’s voice has a chance to arrive on the album, Kendrick yelps, “What the fuck is cancel culture, dog? ” as if steeling himself for the response that comes with standing next to the Florida rapper, who was charged with rape in 2016, after an incident with a high school student, and pleaded guilty to first-degree assault and battery in a plea deal. Sadly, Lamar was eventually sucked into the gang lifestyle almost synonymous with growing up in Compton. While still in high school, the rapper joined a group of friends with whom he would carry out several illegal activities, including home invasions and robberies. It wasn’t long before a young Lamar got himself in trouble. While one of his crew members once got shot, on another occasion, police visited Lamar’s home to inform his parents of his criminal activities in the neighborhood.
Even the hardest working people can falter and lose their way. We’re human, and sometimes we’re going to waste some time on stuff that doesn’t really matter. DJ Mustard eventually wanted to shift from collaborating with others to creating his own music, which led to him signing with Roc Nation in 2013. “I just wanted to do kendrick lamar addiction my own albums where nobody could tell me what to do. Roc Nation was the perfect fit because I could do what I wanted to do,” he told Forbes. Dijon Isaiah McFarlane, 34, professionally known as DJ Mustard, is a DJ, rapper and producer known for his catchy, club-focused hip-hop sounds that have dominated mainstream charts.
The letter offered a unique insight into the mind of a genre- and game-changing artist, while also learning what was next from the award-winning talent. Lamar’s intentional phrasing behind this latest project looks to be another one taught in college courses. No matter what it may be once released, Mr. Morale and The Big Steppers will be a must-hear event the world cannot wait for. For longtime stans, there has always been a unique meaning behind the titling of Lamar’s projects.
Samples from Rodney O & Joe Cooley’s „Everlasting Bass” and Eazy-E’s 1989 classic „Eazy-Duz-It” shaped the bouncy trap beat, sinister synths, and spine-chilling baseline. But Kendrick Lamar’s verse turned it into a heat-seeking missile. From the classical serenade „Am I Dreaming” to the Latin swing of „Silk & Cologne” and the Timbaland-stomping „Nas Morales,” the result was an equally transformative musical experience.